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there sure are a lot of nice singers doing elvis songs here

I will come back to listen again!

wheres the cdgs of elvis dont see any about

hi got lots and lots of professional elvis presley karaoke cdg mp3 Discs if you would like to visit my site hears the link to take you to my site Best Wishes Dave Garden

http://www.esnips.com/user/Daveskaraokebackingtracks

It is apparent some people need to realize there is such a thing as Copyright Infringement.

You can ONLY use Karaoke Music for your OWN use.

There are legal Music Sharing sites.

Note: Too much abuse of infringement policies will only screw things up for honest people.

GOOD THINGS ABOUT EXPERIENCED MUSO'S:
The best thing about being a muso' is having the knowledge and experience of playing an instrument and teaching others to do the same. When it comes down to learning songs such as Elvis' songs. Before karaoke ever started, there weren't many blow-ins off the street taking jobs off the well earned muso'. And even tho' I had been in bands and lead many as well as created a few, I thought it only fare to join the club as NOT an impersonator, but as a Tribute Artist paying tribute to the legend: ROY ORBISON and the king of Rock'N'Roll ELVIS PRESLEY. But make no mistake about making sure who the venue is dealing with when it comes down to experience and knowledge.

BLOW-INS:
One thing I really hate the most about some Elvis impersonators is that some of them think they really are Elvis reincarnated. "That's Sick!". And those who forget their own identity just to take on somebody elses. Thinking they can sound like elvis and spend time in front of a mirrow pretending they're him. Not having an ounch of knowledge in the music industry or music as a whole and when asked to play the guitar and sing without backing, put their tails between their legs and crawl away.

WELL DESERVED RECOGNITION:
Us musicans, who have been in the industry for many years have paid our dues to the music industry and so be it as it is, don't need so-called entertainers coming off the street taking our work off us. I don't make no apologies in warning venues. To earn any long term musician's respect a person must go through the same crap and rejection a real muso' did and not just for a few years. This divides the long-term from the short-term.